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Critica d'arte e articoli Critica d'arte e articoli L'aspetto testuale è fondamentale anche per gli artisti. Le critiche, così come gli articoli, danno agli altri l'opportunità di vedere un'opera d'arte da una prospettiva diversa, da una prospettiva più approfondita. Inoltre, in termini di curriculum, sono molto importanti perché sono un valore aggiunto.

Le opere di Elisa Bonotti: come se fossero i nostri ricordi 24 febbraio 2022

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Elisa Bonotti,

complicità quotidiana,

Acrilico e china su tela,

72×52 cm

2022

Sometimes I wonder how art can be so captivating, and how some artists can be capable of imprinting a moment, a subject, a memory on canvas in which we can clearly see each other again. Furthermore, there are certain painters who do not need minutely descriptive narratives to tell, who do not need to make a face perfectly realistic, through the modulation of color or the definition of shapes, to get straight to the spirit of the people. Elisa is part of this category of capable, brilliant artists who, through her personal style, which has now become her hallmark, lightning-fast passes the audience's chest, arriving directly at her heart. Marc Chagall, in his time, stated that: «In our lives there is only one color that gives meaning to art and to life itself. The color of love." Here, I would like to translate this statement into Elisa's art. In her works there is only one color that gives meaning to the compositional structure, and this same color is on the one hand a messenger of timeless stories, on the other it is a vehicle of the immense love that Elisa has for art: a love that it becomes an integral part of the chromatic fabric and which, as in magic, bounces and envelops those who observe his works. Who is it that observing Moment hasn't seen their own kiss again and perceived tactile or olfactory sensations of that moment? And who, observingDaily complicity , haven't you seen that delicacy generated by complicity and, seeing all that yellow that expands across the canvas, haven't you felt the warmth of the sun that kissed your skin on a past summer day? Elisa's works evoke memories, emotions, reflections, relationships. I fight every day for a universal art, within everyone's reach, and I love those works capable of embracing everyone's experiences. Contemporary art, among all its infinite innovations, has contributed precisely to ensuring that the works assume a personal language of the artist, a language that is highly communicative and engaging. Elisa's art is art for everyone, it's a pool of crystalline water where you can glimpse your own self, your own memory, and it's not something to be taken for granted, it's not something easy and ordinary. Not all works of art are capable of moving the soul, of whispering emotions, of conquering and enchanting. And it is here that the skill of the artist, and in this case of Elisa, can be seen: being able to combine personality, technique and emotion, and sealing everything between the canvas and the colour.

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